
Theater
Justice is not given, justice is won
Serbian youth, Dimitrije Tucović, text and direction by Zlatko Paković, Puls Tetar, Lazarevac
Serbian youth, Dimitrije Tucović, text and direction by Zlatko Paković, Puls Tetar, Lazarevac
If there is (kidnapped) money, they can live with murders and suicides and frauds, and only when the money runs out, there is chaos and a sudden collapse. Everything will more or less survive, just don't touch their money
Silencing Socrates, Production Center for Culture,
Tivat and Bitef Theater, Belgrade
Moliere Imaginary patient directed by Nikola Zavišić National Theater, Stage "Raša Plaović"
Charlie Chaplin - The lights of the metropolis
directed by Amalija Bennett and Nikita Milivojević
Belgrade Drama Theater
"In one part of my growing up in the theater, experimental theater had a negative connotation, and only later a positive one. People sometimes think that experimental has to be shocking, but it often isn't. Today, if an actor comes on stage and tells a story, we can understand it as experimental theater in this accumulation of microphones, technology, lights... If only one man came and told a story, that would be experimental theater for me today."
In the play, it is not entirely clear what the connection is between the position of the obedient cultural worker then and the position of the obedient cultural worker today. The novel carefully analyzes the relationship between the brutal Stalinist system and those who agree to serve it with their intellectual work. In the play, this dimension of the novel was lost
As the family stories grew into each other, so did the material for the play. The structure of that play was organically linked to the process of its creation. The overall impression of the play has something of the structure of a novel One hundred years of solitude - the individual stories intersect in such a way that the reader in the novel, and the viewer in the play, can hardly "grasp" all its branches, but feels the whole very well
A man's tear,
based on motifs from AP Chekhov's one-act plays
directed by Aleksandar Popovski
Yugoslav Drama Theater
Neva Lukić and Viktor Radonjić: P(j)eschanik
directed by Jasmina Večanski Kujundžić
Dusan Kovačević: The widow of a living man
directed by Dušan Kovačević
Zvezdara Theater
Jovan Sterija Popovic: Baked pumpkin; directed by Iva Milošević; National Theater
Dusan Kovačević: Hilarious tragedy; directed by Jagoš Marković; National Theater
Anđelka Nikolić: Elucidating the case of a series of murders by poisoning in the Ćuprija District in the 19s. veka; playwright Dimitrije Kokanov; co-production